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Music Reviews
06.4
2025
Guest In The Car release lush and captivating single “Let Them Know”
05.29
2025
SpaceAcre’s infectious “Pathogen” is the sweet sound of resistance
05.28
2025
CATBEAR release luminous indie-pop gem “Who Cares?”
05.28
2025
These New Puritans return refined but fractured on “Crooked Wing”
05.22
2025
Maximilian returns with sprawling and tender single “Long Time Gone”
05.15
2025
M(h)aol are cathartic, vital and technically impressive on new album “Something Soft”
05.9
2025
Water Machine’s “River” is swirling, surreal squabble of classic art pop
05.9
2025
Opal Mag releases slow-burning indie gem “I Don’t Like You, but I Love You”
05.9
2025
Lightning strikes twice for Westside Cowboy, as Britainicana’s brightest hopes release “Shells”
04.18
2025
Tara Nome Doyle soars and surrenders on “Bad Days”
04.11
2025
Blondshell explores twentysomething angst in “23’s A Baby”
04.11
2025
Cloth soundtrack the golden hour with “Pink Silence”
04.4
2025
False Futures set the scene with debut “Fire Movement”
03.28
2025
Pencil Embrace the Beautiful and the Uncanny on “Silent Corners”
03.14
2025
M(h)aol’s “DM:AM” artfully exposes digital misogyny
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